The Coalition Geo-Politicizes the Screen Actors Guild Awards
© 2010 Brad Kempo B.A. LL.B.
Barrister & Solicitor
On the heels of the Golden Globes and Haiti telethon, two events where coalition partners got to talk face-to-face about the cauldron of wickedness north of the 49th Parallel and China’s contribution to that circumstance, the SAG was broadcast live on January 23, 2010. Producers, attendees, presenters and award recipients all did their part to keep the pressure on the Chinada complicit and loyal.
[China, quantum]
SAG Award show producers began and ended the show with the Chinada conflict and its bragging wickedness component in the fore of their collective minds. As was the case with last year’s show, it begins with several actors delivering what might be called the ‘I am an actor and proud of it’ speech. The intentionally and coalition identifying third was this: “Wow, my ‘I am DV Star’ meter is up eight percent in popularity this week. I’m Jeff Garlin and I’m an actor”.
British actor Jeremy Irons also delivered one; and knowing he was going to dressed for the geo-occasion: China.
When the awards began to be presented, it was immediately apparent that the set like all the other award shows that preceded the event, was designed with the lexicon as a guide. The dominant themes were coalition identification, prison certainty and compensation ratification.
When Tina Fey won, she doubled up on her January contributions. It will be recalled she geo-politicized her red carpet interview at the Golden Globes. This time, and again choosing a lexicon-inspired outfit – justice – employed a Clooney Maneuver to “This is so exciting”; which, translated, is ‘this Chinada threat is so scary we’ve got to continue challenging the China-Canada military alliance’.
More evidence films have been and continue to be turned into mediums of diplomacy was observed during clips of nominated movies. The first was ‘The Station’ starring Christopher Plummer. The clip chosen high profiled institutionalized and experimentation related torture and the isolation-deprivation issue. An elderly man and a twenty-something are discussing matters of previous sexual experiences. The former speaking of past encounters of the intimate kind a protracted Clooney Maneuver is added to the script:
Chris: I’ve never forgotten our time together – [Cl.M.] the position of our bodies and the taste of her.
Actor: It was a long, long time ago. Really, you mustn’t torture yourself.
Chris: Torture? You are a virgin, aren’t you?
The SAG Lifetime Achievement Award went to Betty White; who was a principal cast member of David E. Kelley’s heavily geo-politicized Boston Legal. She added to the diplomacy archive when speaking about the award presenter Sandra Bullock: “She is such a wonderful [person]. With all the wonderful things that have happened to her, isn’t it [Colbert M.] heartening to see how for a girl as plain as she is can go?”.
While the audience howled with laughter the seriousness of the moment wasn’t lost on anyone in the audience or at home who is privy to what’s been going on the East-West Corridor of Diplomacy. Betty was speaking of the elevation of the Custodian Chief to the dungeon of daily torture through enslaving experimentation and turning his body into a weapon against itself to the pinnacle of supra-celebrity.
During the speech, Nicole Kidman was shown to be in the audience, immediately triggering a Dogville punishment communiqué; as was Daniel Day Lewis, who’d announced his membership on January 6, 2008. Seeing he was about to be filmed he prepared to and did execute a combination ‘we’re gonna f _ _ k you up real good’ Powell - Clooney Maneuver.
Producers used the opportunity created by the Iraq war themed nomination ‘The Hurt Locker’ to as much advantage as their counterparts at the Golden Globes as documented in the supplemental on that event. This time one of the three actors who appeared to preview the movie was choreographed to execute a Zeta-Jones Maneuver timed to “The fourth feature film nominated for outstanding cast is ‘The Hurt Locker’” [Z-J M.]. Coercive diplomacy was the motivation here.
The ‘In Memoriam’ segment was turned into a protracted threat of using lethal military force and authorizing the ‘Iron Fist’ accountability tribunal to effect the death penalty. The first initiative embedded therein was following the scripted line “You’re an absolute vision Calamity” to a photo of a deceased Guild member attired in Chinada prison certainty.
Following that was another line, this time “you can show us how much we agree”, followed by Canadian prison certainty to articulate the universal agreement amongst coalition partners of the use of incarceration to achieve stated objectives.
The line “sometimes an officer of the law – well, he just got no choice in some things” was followed by a Diaz Maneuver to underscore the kind of options there are for those on each side of the ideological fence. On the democracy side, there is no choice but to contain China and fix Canada; on the other there is not option but to capitulate to what’s been demanded or face the harshest of consequences.
There was a three-in-a-row sequence, beginning with the line “he took advantage of me”, followed by three clips of Farrah Fawcett. The third clip includes a very loud Olmert-Spielberg Maneuver on a Canada color background. And that’s followed by a clip of three actors. With prison certainty (chain link fence) in the background and prison certainty in the foreground, the adult actor states “Now Gertrude, there wasn’t any danger”, referring to the ever-morphing Chinada threat.
When the cast of ‘Nine’ took the stage to preview the film, onto the stage walked, among others, Nicole Kidman and Penelope Cruz. It will be recalled the latter was the recipient of a bragging experimentation confession on the Oscar red carpet the year before; and since then she’s been a regular contributor to achieving coalition objectives*: Another Nail in the Coffin of the Thomson Empire: Canada’s Richest Man Again Confesses to Developing Stealth Cognition Technologies This Time on the Academy Award Red Carpet.
* For example, she geo-politicized her January 17, ’10 ’60 Minutes’ interview: View video
She executed a Diaz Maneuver as she took her spot on stage and added a second one to red flag the geo-relevance of Kate’s scripted line: “Through fantasy and memory Guido tries to solve the puzzle of his [D.M.] stalled artistry by using the influential women in his life”. This both drew attention to how twenty plus years were lost to advancing the secret dimensions of Canadian and Chinese governance and how super-celebrities and other powerful coalition women have been working to help him and the country that turned into a multi-decade hellhole.
The clip chosen was also geo-relevant. The scene is of Penelope and Daniel Day in her bedroom and just after they’ve had intimate relations. The first set of lexiconic colors are of Chinada to high profile the isolation-deprivation issue; as is the second, Canadian punishment certainty and quantum.
The clip chosen from Sandra Bullock’s movie was all about prison certainty and proved once again how much films continue to be platforms of diplomacy. The scripted line before seeing what awaits those who defied the coalition is, and with finger raised for accentuation, “Let me tell you something”.
As was the case with the start of the broadcast, the last moments were also dedicated to advancing coalition interests and objectives. The final award presenter George Clooney, who the night before hosted the geo-powerful Haiti telethon, and who’d been advised what had been simultaneously going on north of the 49th Parallel on the country’s three national networks that bragged about perpetuating satanic cult worship, turned his few moments at the center of the diplomatic world into ones that won’t soon be forgotten.
He found his inspiration from a joke cracked by Betty White during her acceptance speech. She got the place howling when she reminded everyone that having had a career in entertainment that spanned six decades she’s worked with many; adding “and having had a few of you”. George began with that topic and laced the delivery with several lexiconic gestures; beginning with the verbal version of the Olmert-Spielberg Maneuver to high profile how the world’s Jewish community has a stake in halting militarized enslaving human experimentation:
Okay, I got the last one. You know [British Parlia M.] in 1987 -- I was just thinking about it – I think it was 1987 – [Stewart M., dbl-h SNL M.] I did an episode of ‘The Golden Girls’. [Cowell M., Soledad M.] I would like to thank Betty White for her discretion.
[audience laughter]
A friend of mine told me she was a bobcat in the sake. […] She’s gonn hit me. By the way I don’t like Jeff Bridges either.
[audience laughter]
George chose 1987 because that was the year the Custodian Chief returned from law school in the United Kingdom and walked into the trap set for him by two governments – Canada and China – and the Government of Alberta, plus dozens of quasi-public and corporate parties complicit in what Article 7 of the International Covenant on Civil & Political Rights prohibits. His road 'never should have been travelled' began back then and it would take fifteen years to begin the process of changing course and seeking justice; the latter by filing the doomed-from-the-start Federal Court lawsuit. It led to the the next chain of events: the research project, political asylum, the creation of the global coalition, his supra-celebrity status, the dissemination and accountability triggering initiatives, the transfer of sovereign authority, his appointment to lead the Custodian-in-Council and the inevitability of covert regime change leading to the end of the last democratic fiefdom.
